Please use this identifier to cite or link to this item: http://192.168.10.5:8080/xmlui/handle/123456789/431
Full metadata record
DC FieldValueLanguage
dc.contributor.authorقادوم, حميدة-
dc.date.accessioned2024-02-05T09:11:05Z-
dc.date.available2024-02-05T09:11:05Z-
dc.date.issued2024-01-10-
dc.identifier.urihttp://192.168.10.5:8080/xmlui/handle/123456789/431-
dc.descriptionندوة تكوينية منظمة من طرف مخبر البحث في الدّراسات الأدبية والإنسانية بكلية الآداب والحضارة الإسلاميةen_US
dc.description.abstractSummary : Sufi discourse explores contemplation of the unseen and an attempt to connect with the divine essence through expressions that are loaded with greater burdens than what this common discourse carries on the one hand. Sufis, on the other hand, carry out movements that are evident through the act of contacting the unseen and the intensity of the connection with the divine essence. These are called Karamat. Based on the above, this proposal leads us to a number of questions: To what extent can we say that there is an Arabic novel that represents Sufi discourse and is fully structured? To what extent does the writer rely on the Sufi heritage in building the worlds of his text, which are full of wonder and strangeness? Is it possible to assert that the Arabic novel, in which Sufi discourse is evident, reveals the writer’s inner dialogue towards characters and events through mercurial times that express the action of miracles and manifestations in the absolute and the unseen?en_US
dc.description.sponsorshipكلية الآداب والحضارة الإسلاميةen_US
dc.language.isootheren_US
dc.publisherكلية الآداب والحضارة الإسلاميةen_US
dc.subjectالمقامen_US
dc.subjectالخطاب الصوفيen_US
dc.subjectالرواية المعاصرةen_US
dc.subjectالكراماتen_US
dc.subjectالخلوةen_US
dc.title"النّدوة الّتكوينية لطلبة الدكتوراه : "الخطاب الصوفي في الرواية العربية المعاصرةen_US
dc.typePresentationen_US
Appears in Collections:ندوات ودورات تكوينية

Files in This Item:
File Description SizeFormat 
الخطاب الصوفي.pdf446,91 kBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.